Here's a selection of PADSzine covers, very much representative
of the general tone and quality. Some are rather accomplished
and would have graced any 20th century fanzine. Some have rather
less charm.
PADS is less commonly criticised for its art than its
general poor layout and illegible duplicating. This was consequent
to much of the work being done by persons other than the fanzine's
ostensible editors (though how much actual 'editing' - or even 'selection'
- some of these notional editors did is open to question. Manuscripts
were, in many cases, supplied to volunteer typists - including Doreen Parker (later
Doreen Rogers) and Beryl Mercer among others - for stencilling, and were duplicated,
with perhaps less care than they might have given to their own projects,
by other hands;
often by Archie Mercer, or even, in the early days, Charles Platt. It was argued that this could
result in
a person being able to put out a fanzine without actually doing
any of the work themselves at all. Not necessarily a bad thing if
instead the time and effort was put into creative editing, but...
See some samples of rather typical
PADS text here. These are not poor scans, but represent the
originals quite accurately.
All that being said, having looked through a lot
of PADSzines in the course of assembling this webpage I think it is reasonable
to say that the reputation of PADS as being solely the repository
of half-baked material shoddily presented is not wholly
deserved. Some of these fanzines, like Ashley's XERON for
example, may have lacked a great deal in terms of design, but much
of their
content is actually determinedly science-fictional and the level
of information and informed comment can be quite high. It may be
in fact that the negative view of PADSzines is a legacy of the contempt
that Charles Platt and his associates of the day showed towards
a project that they personally had lost interest
in and had in any event failed to conform to their expectations. The
usual received wisdom problem. PADSzines deserve a reassessment
! Well, maybe.
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Chris
Priest's THUD-F; this and it's predecessor YAWL-B
were one-offs distributed through PADS. Part of a trilogy, the third
element of which, to be titled OVVM-E, was never published.
Cover by Dicky Howett.
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Steve
Moore's VEGA. Cover by Steve Moore.
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Chas
Legg's ENTROPY, cover by Santos. Santos was obviously a pseudonymn,
for one of the Mary Reed/CRAPAPPLE group. Martin Pitt ?
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Charlie Winstone's EFFELL, cover by Yac, who was, I believe, Charlie
himself..
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Chas
Legg's FREEWHEELIN', successor to ENTROPY. Cover is by Jay Kinney.
Yes, the rather famous US comics artist. That was much later.
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Peter
Weston's NEXUS. This rather good cover is by, fairly obviously,
ATom, the great Arthur Thomson.
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Jim Grant's FUSION. A rather good science fiction fanzine
similar to Ashley's XERON. Cover by Brian McCabe.
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Beryl
Henley's LINK. Cover by Mik, Mike Higgs of the Birmingham SF
Group. This was Beryl's first fanzine; she later became a significant
character in UK fandom as Beryl Mercer
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Graham
Hall's DOUBT, the one issue of his one fanzine. It is said he
never published another after he discovered how much effort it demanded.
Cover by Brian McCabe.
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Charles
Platt's GARBISTAN. Platt had studied printing and design and it
shows. A very attractive concept, unattributed, but probably Platt
himself.
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Dick
Howett's PADLOCK number 3. Howett was an accomplished artist and cartoonist,
and this design shows he had the potential for professional success,
which he later achieved.
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Tom
Jones' PROTEUS. Cover signed as 'J Rose'. Possibly something
from the then-active Central Contributors Pool., a repository for
mediocre (at best) material that wasn't produced specifically
for any given fanzine.
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Mary
Reed's CRABAPPLE, often thought of as the archetypal PaDszine.
Cover by Dave Baldock.
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Mike
Ashley's XERON. Mike Ashley is now a highly respected sf bibliographer
and historian. Cover by Phil Harbottle - yes, that
Phil Harbottle...
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Harry
Bell's GRIMWAB, first issue of his first fanzine, possibly his
first fanzine
cover art. He did a great deal more artwork, of often excellent quality,
during the 1970s and 80s.
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BAD
NEWS ! from Dave Wood of Nottingham. Not Dave Wood, Junior Fanatic,
originally from Lancaster and active from the 1950s, but a
much younger fellow who put out a number of idiosyncratic little
fanzines in the mid-60s. Cover by Dave Wood.
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Charles
Platt's INSOMNIA, cover unattributed but likely by Platt himself.
An effective design
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Adj
Cook's WARLOCK, cover by Cliff Reynolds, unknown as a fan and probably
a local friend of Cook's or a CCP contributor, perhaps.
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Some typical PADS
text pages.
The first page of Charles Platt's INSOMNIA, giving information
on the idea of PADS.
Part
of the letter-column from Adj Cook's WARLOCK 3
A
page from the fanzine review section of Chas Legg's ENTROPY 2
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